Station Agent
The 56mm/f1.2 APD is now always on my X-T2. Station Agent is also the first movie I saw with Peter Dinklage, years before Games of Thrones: IMDB.
Connecting
Here’s a collection of pictures about railways—tracks stretching into the horizon, bustling platforms, quiet rural stations, and trains in motion. They capture the rhythm and character of travel by rail, from the timeless charm of vintage trains to the sleek lines of modern high-speed rail. A glimpse into the journeys and stories along the tracks.
Zeiss Biogon 35 ZM
Ever since I got my X-T2 I have been tempted to try some Leica M-mount lenses. While I love the performance of my XF lenses, I feel they lack personality: it’s always sharp, no vignetting, low distorsion. Besides, I am not a fan of how they handle: the metal coating is too slippery, the focus-by-wire…
XF 16mm f/1.4
With all my Canon gear sold, I needed a new wide-angle lens for my Fuji setup. After a lot of back-and-forth, I narrowed it down to three options: the XF 10-22mm f/4, XF 14mm f/2.8, and XF 16mm f/1.4. In the end, weather sealing and the large aperture of the 16mm f/1.4 won me over,…
Nigh Train
Took the X-T2 out to capture the Yamanote Line at night, and I’m impressed. The wide dynamic range of the Sony sensor provides so much flexibility for post-processing, especially in handling shadows and highlights from the city lights. The details and tones it retains in low light are fantastic. Me like, indeed!
Connecting | Living | Shooting
XT2 in Shinjuku
Testing out the different focus modes, including face tracking, in Shinjuku during commuting time was a real eye-opener. The fast-moving crowd and ever-changing scenes were a perfect challenge, and the camera handled it well. Face tracking was especially impressive, locking onto subjects even in the chaos. A great spot to push the camera to its…
Subway
In the subway with my Sigma ART 35mm f/1.4—a lens that never disappoints. The wide aperture handles the low light beautifully, creating sharp, detailed shots with creamy bokeh. Even in such a mundane setting, it makes every frame look cinematic and polished. Always a pleasure to shoot with this gem!
Platforms Ghosts
Having fun on JR platforms with an ND filter mounted on the GX-85, turning people and trains into ghostly figures. The long exposures blur the bustling movement into ethereal streaks, creating an almost surreal scene. It’s a fascinating way to capture the energy of Tokyo while revealing a hidden, dreamlike layer to its everyday chaos.
Waiting for Train
Another round of subway platform shots, this time with a touch of motion blur to capture the dynamic energy of the scene. Trains streak past, passengers blur into motion, and the stillness of the platform contrasts beautifully with the rush of the moment. Always fascinating to play with light and movement underground!
JR Platform
A JR railway platform at night in Tokyo, captured in black and white, transforms into a scene of quiet intensity. The interplay of light and shadow accentuates the architectural lines, while the glow of distant trains and platform signs adds a touch of urban drama. Passengers, blurred in motion or standing still, take on a…
Akihabara Station
On my way to Yodobashi Camera, I couldn’t resist grabbing a few more platform shots. The movement, the colors, and the endless flow of commuters always make Tokyo’s train stations an endless source of inspiration. A quick detour with my camera before diving into the gadget paradise!
Handheld Long Exposure
Once again, the little Lumix delivered impressive results—this time, a 1/10s handheld shot capturing just the right amount of motion blur on a Tokyo train platform. The combination of image stabilization and sharp optics made it possible to freeze the moment while keeping the energy and movement of the scene alive. A small camera packing…
Old School
Phone, book, or newspaper—it doesn’t really matter when you’re on your own, does it? Each one is just a way to pass the time and escape into your own little world. But when you’re with someone at a café or restaurant, it’s a whole different story. That’s when the screen goes down, and the conversation…